Berkay Tuncay'ın çalışmaları internetin toplum ve insan zihni üzerindeki etkilerini inceliyor. İnternet kültürünün, arkeolojinin, psikolojinin ve dilin kesiştiği noktalar üzerine düşünüyor. Dolaşımda olan imgeleri, metinleri ve internet memlerini baskılara, videolara, şiir kitaplarına ve enstalasyonlara dönüştürüyor. Sanatçının seçilmiş kişisel sergileri arasında, CLICKTRANCE, SANATORIUM, İstanbul (2024); Just for the hell of it, DIANA Gallery, New York (2024); ˋ°•*⁀➷ [Fancy Text], KUUB.Space, Utrecht (2024); İnsan tuhaf, ne hoyrat, ne şaheser ve nasıl ilkel hayret, SANATORIUM, İstanbul (2020); Getting Away With It All Messed Up, Display, Berlin (2018); Hayat, Sen Sevimli Kedi Videoları İzlerken Başından Geçenlerdir, Gaia Gallery, Istanbul (2016); ve I’M SORRY, BECAUSE I DANCE, De Kijkdoos, Amsterdam (2011) yer almaktadır. Tuncay, Jan van Eyck Academie,
Delfina Foundation, Cité Internationale des Arts ve ArtCenterIstanbul gibi çeşitli misafir sanatçı programlarına katıldı.
Berkay Tuncay’s practice is based on investigating the effects of the internet on society and the human psyche. He examines the intersection points of internet culture, archaeology, psychology, and language. He transforms images, texts, and memes that are circulating online into prints, videos, poetry books, and installations. His selected solo exhibitions include: CLICKTRANCE, SANATORIUM, İstanbul (2024); Just for the hell of it, DIANA Gallery, New York (2024); ˋ°•*⁀➷ [Fancy Text], KUUB.Space, Utrecht (2024); Human, how strange, so vulgar, such a masterpiece and yet so primitive, SANATORIUM, Istanbul (2020); Getting Away With It All Messed Up, Display, Berlin (2018); Life Is What Happens To You While You Are Busy Watching Cute Cat Videos, Gaia Gallery, Istanbul (2016); and I’M SORRY, BECAUSE I DANCE, De Kijkdoos, Amsterdam (2011). He has participated in several artist residency programs, including Jan van Eyck Academie, Delfina Foundation, Cité Internationale des Arts, and ArtCenterIstanbul.