Guido Casaretto

Guido Casaretto’s body of work concentrates on processes of geographical and cultural representation through the transfer and repetition of these methods. Often drawing parallels with localised instances and narratives, his body of work revolves around craftsmanship, experimentation on materials, and connotations with the historical, art
historical and technological practices.
 
His solo shows include: Of Strays, Rhinos, and Misunderstandings (YUNT, Istanbul, Turkey, 2025), Looking for graviton in uneven plates (Imalathane, Bursa, Turkey, 2022), Crossing Carnevale (Zilberman Gallery, Istanbul, Turkey, 2021), The Ghosts of Matter (MOCAK, Krakow, Poland, 2019), The Pope and Galileo Had a Minor Disagreement (Zilberman, Istanbul, Turkey, 2017), Synesthesia (Zilberman, Istanbul, Turkey, 2015). His group shows include: Creatures of Comfort (OMM, Eskişehir, Turkey, 2024), 2019 (Zilberman, Istanbul, Turkey, 2023), Under Two Suns (OMM, Eskişehir, Turkey, 2023), At the End of the Day (OMM, Eskişehir, Turkey, 2021), National Gallery of Victoria Triennial (Melbourne, Australia, 2020), Unlock (Zilberman Gallery, Istanbul, Turkey, 2020), Part Whole II, (Art On, Istanbul, Turkey, 2019), Figure and Design (curators: Monika Kozioł & Maria Anna Potocka, MOCAK, Krakow, Poland, 2018), Urban Justice (CerModern, Ankara, Turkey,
2015), Venice Biennial Italian Pavillion (Venice, Italy, 2011). His work is included in the MOCAK–Museum of Contemporary Art in Kraków (Krakow, Poland), the National Gallery
of Victoria (Melbourne, Australia) and further acclaimed private collections in Europe and Middle East. He is one of the founders of Sanatorium. He lives and works in Istanbul.